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Between and Mortarboard

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A woman wearing a black hat reclines in a sketchily-rendered chair. Shown in a three-quarter view and angled towards the viewer's left, she sits quietly, looking straight ahead. She wears a fur-trimmed coat, and flexes her right hand, which is curled into a loose fist, upwards. The background is left blank.  The entire image is covered with a series of heavy diagonal slashes. <br /> Signed in the lower left of the composition, in the plate, "JTJ [the second J rendered backwards] / J.J. tissot"
James Jacques Joseph Tissot (French (culture or style))
La convalescente, cancelled proof
1875
Gift of Dr. and Mrs. Robert Aldrich
2004/2.164
In this strongly vertical composition, a street crowded with groups of people and individuals—all rendered in silhouette and casting long shadows—recedes into space, seen from above. The street is lined with two- and, at most, four-story buildings on both sides. A hilly landscape rises behind the buildings, and a stormy-looking sky occupies the top portion of the image. In the right foreground, a woman is seen from the back as she stands on a small balcony looking down the street at a procession underway. The procession follows a banner depicting a saint, and proceeds towards the viewer. Some of the people in the street wear pointed hoods over their heads.<br /> The image is covered with diagonal slash marks. The print shows incredibly rich textural effects as a result of intense drypoint scraping, extensive biting in the darkest areas, and printing on very thick wove paper. <br /> Signed in the plate, l.l., recto, "Bone / 19[?]5"
Sir Muirhead Bone (British (modern))
A Spanish Good Friday
1925
Gift of Dr. Thomas DeKornfeld
1985/2.15
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